Someone asked me recently if I still feel so passionate about Venice
My unthinking response: ‘Yes, I still love Venice
As fellow History Girl Penny Dolan has recently written, life with defective plumbing does not really constitute life. It is not only that body that perishes – but also the writing mind.
Our own palazzo restoration was afflicted with one of those gangsta-plumbas who reduce life to a wetly stinking misery. Indeed, some of the romance of Venice
That was because I, unlike our gangsta-plumba, learned from his mistakes.
The best thing I learned about was the ‘valvola di non-ritorno’. As in Harry Potter and the Valvola di Non-Ritorno; The Valvola di Non-Ritorno and the Plumbing of Doom.
In fact, a valvola di non-ritorno is simply a one-way valve. The kind that allows your washing machine to drain without filling your tumble drier with suds. And your w.c. to flush down the drain instead of onto your bathroom floor and your downstairs neighbours’ electrics. (Yes, that happened to us too. A curtain of waste fell right down the front of their fridge.)
My theory is that some writers have a valvola di non-ritorno too. In such cases, all the generosity streams one way. You find that out the hard way, usually, and then you avoid those writers as you would a stagnant drain in summer.
But fortunately, in my experience, nearly all writers are extremely generous to one another in spirit and in the flesh. Most of them operate busy two-way valves, with plenty of granting and returning of favours.You find a fast-flowing exchange of morale boosting, practical advice and technical detail in writers’ cooperatives like The History Girls or The Scattered Authors Society. With other History Girls and Sassies, I have conducted ‘boot camps’ where work is close-tooth-combed. With fellow writers, I have received and given hard-won advice, raised money for charity, shared vivacious panels. And now I am also sitting side by side in a new anthology with our own Mary Hoffman, whose generous valvola is a well known organ of the publishing world, though there are surely more elegant ways of explaining how brilliantly Mary, a.k.a. the Book Maven, helps so many other writers along their ways.
When we were both invited to submit short stories for an anthology called Venice Noir, the Book Maven and I agreed that neither of us find la Serenissima intrinsically noir. In fact, to these two History Girls, Venice may well be the least frightening city in the world, a sleek purring kitten of a city, one who wants to curl up and sleep on your lap rather than stab you in a narrow alley.
But noir we had to write, so noir we went to find. We both did research on site. We took a gondola trip in the dark, which completely failed to frighten us, especially with the delightful Giacomo as our gondolier. We sat up late at night on a little balcony leaning over the black water. The worst thing we saw was a seagull feeding frenzy, more grey than noir.
We found we needed to deploy our finely honed History Girl techniques to dredge up tales that worked with the antique architecture and ancient topography of the city, intertwined with the opportunities they offer human nature now as they did in ages past. We took characteristically different approaches, The Maven’s “A Closed Book” is a knotty, plotty, terrifying roller-coaster through a dysfunctional family’s vendettas, via the machinations of a publisher. A series of crimes reach a climax in Venice
Me, I went wet. I wrote about a plumber. A gangsta-plumba who meets the end he deserves. The story is called ‘Pantegana’, the Venetian dialect word for ‘rat’. Such is my narrator. Into my Venice Noir plumber, I’ve ploughed every plumbing insult visited on my home and my working week. My boiler has a walk-on part. My fissured water pipe is there. So is the doorbell that my plumber so often failed to ring when he’d promised to do so. And so is a hard, shiny piece of Giacomo’s gondola, but in this case it’s impaled somewhere painful.
My sister, who reads ‘Pantegana’ last week, has warned me, ‘If there’s a single literate plumber in Venice
Was that risk worth the exquisite relief of the rant in my story, the chance to open my own valves and let it all gush out? Yes, it was. And it was grand fun to share a brief with an admired friend and colleague too.
Put two History Girls in a gondola, and it’s surprising what comes out.
Michelle Lovric’s website
For more about the city Noir series, see http://www.akashicbooks.com/venicenoir.htm
