Christmas is a time of nostalgia, of looking back. It triggers memories of childhood, of the past, both recent and distant. I was a child in the 1950s. It is odd to think that my own childhood is now history.
I was talking to a friend recently about our shared passion for Rupert the Bear. Every year I would receive a Rupert Annual as part of my stocking (well, pillowcase to be accurate). It was just as much a stocking fixture as the tangerine wrapped in silver paper, the variety pack and the Compendium of Games with requisite number tiddlywinks and dice (last year's having become somewhat depleted). I loved Rupert and Christmas would not have been Christmas without him. It wasn't until I was much older that I thought about how very strange it was for a bear and his animal chums to be dressed in children's clothes from some undefined era and for them to wear shoes and have human hands (apart from Edward Trunk who has feet for hands and wears shoes - how did he tie his laces?). I knew that Rupert didn't live now, the clothes told me that much. He seemed to live in a lost rural idyll where it always snowed at Christmas and in the summer the beach was littered with star fish and there were dragons and pagodas and all kinds of wonderful things, if you climbed high enough.
Rupert and his friends had the most exciting adventures and met the most exotic of creatures and I envied him. Even though I knew he wasn't real, part of me hoped he was and that, one day, I might meet elves and fairies and the beings that lived in his world. Rupert would now be regarded as fearfully unPC. There are golliwogs and natives with bones through their noses. What was unexceptional in a world that still clung to the remnants of Empire and unthinking assumptions of white superiority would be unacceptable now. Such things offer insights into time and place; insights into history.
As a child of the fifties, I was much freer to have adventures than children are now. I was talking to another friend (I told you that Christmas was a time for looking back) about the kinds of games we played and it was interesting to note how many were informed by history. I grew up in Warwickshire. We used to play out in the woods and fields, so we would play Robin Hood, Children of the New Forest, Ivanhoe, carrying home made swords and bows and arrows. She lived by the sea, so her games involved playing pirates on old beached hulks and exploring caves and tunnels to discover evidence of smugglers. Reflecting on this, I realised how much my child's imagination was fired by history mediated through books, films and T.V.
I didn't write as a child. My creative imagination was developed and nurtured through playing games which could be very elaborate and go on for weeks, even months. I remember spending almost a year obsessed by Robin Hood. The games we played were porous. Robin Hood and his Merry Men could easily morph into Wyatt Earp or Jesse James but that didn't seem to matter. We didn't worry about strict factual accuracy. We were attracted to myth and romance. The West was just as much history as the Crusades. In an odd way they seemed to go together.
My lifelong interest in the past began with and was fostered by play and the child's imagination which, in turn, was fuelled by the stuff of a fifties childhood, including the rich mix of English Pastoral, folklore and fairytale that is Rupert.
Rupert and his friends had the most exciting adventures and met the most exotic of creatures and I envied him. Even though I knew he wasn't real, part of me hoped he was and that, one day, I might meet elves and fairies and the beings that lived in his world. Rupert would now be regarded as fearfully unPC. There are golliwogs and natives with bones through their noses. What was unexceptional in a world that still clung to the remnants of Empire and unthinking assumptions of white superiority would be unacceptable now. Such things offer insights into time and place; insights into history. As a child of the fifties, I was much freer to have adventures than children are now. I was talking to another friend (I told you that Christmas was a time for looking back) about the kinds of games we played and it was interesting to note how many were informed by history. I grew up in Warwickshire. We used to play out in the woods and fields, so we would play Robin Hood, Children of the New Forest, Ivanhoe, carrying home made swords and bows and arrows. She lived by the sea, so her games involved playing pirates on old beached hulks and exploring caves and tunnels to discover evidence of smugglers. Reflecting on this, I realised how much my child's imagination was fired by history mediated through books, films and T.V.
My lifelong interest in the past began with and was fostered by play and the child's imagination which, in turn, was fuelled by the stuff of a fifties childhood, including the rich mix of English Pastoral, folklore and fairytale that is Rupert.
